For me, what makes this painting so immediately eye-catching is the gentleman dressed all in white standing out in
a sea of aquamarine.
Edouard Marnet painted this scene in the summer of 1874, when he spent a good deal of time with his young friend and colle
ague Claude Monet.
That spring, Monet participated what came to
to be known as the first impressionist exhibition. Manet declined to exhibit with the newly adopted impressionists. But this canvas shows how
taken he was with the styles the impressionists were developing - the black colors, the scratchy blush work, which is particularly visible in the h
em of the woman’s dress and the portrayal of outdoor leisure are all characteristics of emerging impressionism. But
at the same time, Manet was still very much his own artist. His produced elements of the scene to almost
the bare minimum you need to suggest two people boating. He abruptly cropped the boat in the sail and he set the boat at an angle which compresses and flattens the scene that we seem to be almost right on top of the figures.
The boldly simplified manner in which Manet approached this composition reveals
his admiration for Japanese color woodblock prints, an interesting study shared with Monet and with his fellow impressionists.
I like the suggestive quality of the old Japanese masters’ aesthetic, which evokes a presence by a shadow and the whole by a part. With the cropped composition, the canvas evokes me: two people are boating under a cloud in the summer.
For me, a summer cloud is often seen as one that is fleeting, which implies that good things usually come to an end very soon in life.
So, I hope you can understand the words better now.
Burning in secret, my feelings consume me. And how sad to think that: even the smoke of my fire will end as a summer cloud.
By the way, Is there anything to improve or to share, my friends?:-D
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