GoldfishLord
Senior Member
- Joined
- Apr 18, 2016
- Member Type
- Student or Learner
- Native Language
- Korean
- Home Country
- South Korea
- Current Location
- South Korea
There are interesting trade-offs in the relative importance of subject matter (i.e., figure) and style (i.e., background). In highly representational paintings, plays, or stories, the focus is on subject matter that resembles everyday life and the role of background style is to facilitate the construction of mental models. Feelings of pleasure and uncertainty carry the viewer along to the conclusion of the piece. In highly expressionist works, novel stylistic devices work in an inharmonious manner against the subject matter thereby creating a disquieting atmosphere. Thus, when the work is less "readable" (or easily interpreted), its departure from conventional forms reminds the viewer or reader that an "aesthetic attitude" is needed to appreciate the whole episode. This active involvement provides a basis for depth of aesthetic processing and reflection on the meaning of the work. An ability to switch between the "pragmatic attitude" of everyday life and an "aesthetic attitude" is fundamental to a balanced life.
Source:
The Aesthetics of Emotion: Up the Down Staircase of the Mind-Body
Gerald C. Cupchik — 2016 · Body, Mind & Spirit
What is the reason there is not a definite article before "depth"? It seems to me that "the depth" should be used there instead.
Source:
The Aesthetics of Emotion: Up the Down Staircase of the Mind-Body
Gerald C. Cupchik — 2016 · Body, Mind & Spirit
What is the reason there is not a definite article before "depth"? It seems to me that "the depth" should be used there instead.
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